When your daughter tells you that you will be taking her senior picture, well, you better prepare, and I did. From the summer of 2017 when Lizzy gave me the heads up until August of 2018 when I captured this image, I watched Youtube videos, completed LinkedIn Learning courses, and studied the work of Chris Orwig - a natural light portrait photographer from California.
Read MoreSunrise at Delicate Arch
Oct 5, 2018
ISO 50 - f11 - 1/125 sec
10 Most Meaningful Posts of 2018: #2
Prior to attending the Out of Moab Photography Conference, I did my homework. I studied locations, reviewed camera angles, prepared for hikes, and watched YouTube videos. Delicate Arch was a “must do” location for me so… until I read that the hike to the arch included “a narrow rock ledge with exposure to heights.”
Ummmm… did I mention that I am not a fan of heights?
Read More10 Most Meaningful Images of 2018: #3
The title of this blog series is 10 Most Meaningful Images of 2018 with the word “meaningful” being the most important. The fact of the matter is, I don’t love this image. As it turned out, I was out of position and basically missed the real shot.
Read MoreMeredith Sunrise
09.08.18
ISO 50 - f20 - 8 sec
10 Most Meaningful Images of 2018: #4
Okay, I’m cheating on this one. This image was captured moments before image #5 on this list, but there’s a reason why I am including it.
If yesterday’s image was on my bucket list, this image is my favorite of the group I made that day.
Milky Way Over Landscape Arch
10 Most Meaningful Images of 2018: #7
I have never been one for Astrophotography. The late nights don’t go well with my usual early mornings. I am an early riser by nature, so staying up to the wee hours of the morning to shoot the starts usually doesn’t happen. But, when I saw that Mike Taylor (and his wife Sonya) would be leading an excursion to shoot Landscape Arch at night at the Out of Moab Landscape Photography Conference, I knew I had to take advantage.
Read More10 Most Meaningful Images of 2018: #8
For years I have said that I would not shoot portraits. Even now I have little interest in shooting studio portraits. The thought of sitting in a studio shooting the same shot over and over again just doesn’t appeal to me. But, my interest in shooting portraits was forced to change about 18 months ago.
Read More"Dad, you’re going to take my senior picture.”
Park Avenue Moment
10.01.2018
ISO 50 - f10 - 1/5 sec
10 Most Meaningful Images of 2018: #9
If there was an emergent theme for my landscape photographer in 2018 it was: Moment. Nothing illustrated that more than this morning at Park Avenue in Arches National Park in Moab, UT.
For the past two years I have participated in the Out of Chicago Landscape Photography Conference. In 2017 I ventured to Acadia National Park, and this past October to Arches as a participant. The conference brings 150 participants together with 15 of the best landscape photographers in the world. Having the opportunity to put life aside for a week and shoot with and learn from the likes of Nick Page, Thomas Heaton, Erin Babnik, Mike Taylor as well as many other passionate landscape photographers has made a huge impact on my photography and given me the opportunity to meet and make dozens of new friends. Chris Smith (CEO) and his team ensure that all levels of photographer have an opportunity to better their craft and enjoy excursions to some of the most beautiful places in the world.
Read MoreThe Wagon
3.31.2018
ISO 100 - f18 - 180 sec
LEE Big Stopper
10 Most Meaningful Images of 2018: #10
What makes “The Wagon” meaningful? The answer to that question starts on a cold, March overcast day in Durham, NH and ends on a November evening in nearby Portsmouth. That morning in March was quite gloomy. On again, off again rain and a thick cloud cover made for perfectly moody conditions to shoot in, but not much fun to walk in. Anyone who lives around the seacoast of New Hampshire knows of The Wagon and it’s perch atop Wagon Hill Farm and if you are photographer in the area, your portfolio isn’t complete without its image in it. Frankly, new images of the wagon have to be different. Have to be special, and my first image that day was not.
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